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Wir alle sind Charlie, klar. Aber manche wohl doch etwas mehr als andere. Michel Houellebecq zum Beispiel. \u00abDer Islam ist die d\u00fcmmste Religion \u00fcberhaupt\u00bb, hatte der schrullige Schriftsteller einmal gesagt. Als zwei algerischst\u00e4mmige Franzosen die B\u00fcror\u00e4ume von Charlie Hebdo st\u00fcrmten und unter \u00abAllahu akbar\u00bb-Rufen die frechste Redaktion des Landes ausl\u00f6schten, da meinten die Kugeln der Kalaschnikows auch ihn. Der Autor steht mittlerweile unter Polizeischutz.

Es knirscht gewaltig in Frankreichs multikultureller Gesellschaft. Die Frustration der sozial Ausgestossenen und Abgeh\u00e4ngten entfesselt w\u00fcste Kr\u00e4fte. Davon weiss auch der neue Roman des franz\u00f6sischen Schriftstellers Yannick Haenel zu berichten. Der Endvierzigj\u00e4hrige ist ein linker Autor, der sich an Sartres Konzept der Engagierten Literatur abarbeitet. Texte sollen die Welt nicht beschreiben, sondern ver\u00e4ndern.

In \u00abDie bleichen F\u00fcchse\u00bb schleudert Haenel seinen Protagonisten gleich auf der ersten Seite aus der b\u00fcrgerlichen Existenz. Der Job ist weg, die Wohnung auch. \u00abIch war also auf der Strasse. Man braucht nicht mehr als ein paar Tage, um abzust\u00fcrzen.\u00bb Jean Deichsel, ein bew\u00e4hrtes Alter Ego des Autors, lebt fortan im Auto eines Freundes, so unbeschwert wie ein Kind im Baumhaus. Es ist literarisch reizvoll, wie Yannick Haenel das Gl\u00fcck des Einsamen beschreibt.

Ein Gespenst geht um!

Die Poesie weicht dem Pamphlet.

In seinen Streifz\u00fcgen durch Paris st\u00f6sst der Held auf die Gefallenen der F\u00fcnften Republik: Arbeitslose und Alkoholiker, K\u00fcnstlerinnen, Einwanderer. Ein Obdachloser \u00fcbernachtet in einem Abfallcontainer, morgens wird er vom Abfuhrwagen zermalmt. Verlierer landen im M\u00fcll. Doch illegale afrikanische Fl\u00fcchtlinge trommeln zur Revolte. Maskiert str\u00f6men sie auf die Strassen, um gegen das Elend aufzubegehren. Der Held solidarisiert sich mit ihnen, viele andere Unzufriedene auch. Gemeinsam fegen sie den Kapitalismus hinweg. \u00abEin Gespenst geht um in Frankreich, das Gespenst Afrikas!\u00bb Die geschichtsphilosophische Pointe sitzt: Allein die Nachfahren der Kolonisierten k\u00f6nnen im geschichtsm\u00fcden Europa das revolution\u00e4re Feuer noch entfachen. Doch hier kippt der Roman. Erz\u00e4hlt der erste Teil des Buches noch aus der durchaus fesselnden Ich-Perspektive des Protagonisten, wechselt der Autor f\u00fcr den Rest des Romans ins revolution\u00e4r beseelte WIR. Ein gewagtes literarisches Experiment \u2013 das in die Hose geht. Die Poesie weicht dem Pamphlet.

Yannick Haenel entfaltet seine multikulturelle Verbr\u00fcderungsutopie mit einer Leichtigkeit, die nach den Massakern von Paris gespenstisch erscheint. Libert\u00e9, \u00c9galit\u00e9, Fraternit\u00e9 \u2013 es k\u00f6nnte ja so einfach sein. Doch was, wenn sich die Wut der Zukurzgekommenen anders entl\u00e4dt? In Frankreich hat sich die Zahl der antisemitischen Anschl\u00e4ge binnen eines Jahres verdoppelt. Schon mehr als tausend franz\u00f6sische Muslime sind in den \u00abIslamischen Staat\u00bb aufgebrochen, um sich an Ungl\u00e4ubigen abzureagieren. Verlorene Kinder der \u00abGrande Nation\u00bb, verf\u00fchrt von religi\u00f6sen Halsabschneidern. Jeder vierte Dschihad-Tourist ist \u00fcbrigens Konvertit. Der Aufstieg des islamischen Faschismus sei auch ein Versagen der Linken, behauptete j\u00fcngst der Philosoph Slavoj \u017dZizek. Ihr sei es nicht gelungen, die Unzufriedenheit der Marginalisierten zu mobilisieren. Als \u00abDie bleichen F\u00fcchse\u00bb im vergangenen August erschien, war ein franz\u00f6sischer Kritiker entz\u00fcckt: \u00abDer fesselndste Roman dieses Herbstes\u00bb. Dann kam der Winter.

Von Ramin M. Nowzad

Yannick Haenel: Die bleichen F\u00fcchse. Rowohlt, Reinbek bei Hamburg 2014. 192 Seiten, Fr. 28.90.

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