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Welche Formen er heute annimmt und wie sich strukturelle Diskriminierung auch in der Schweiz auswirkt, ist Thema dieses Magazindossiers. Das Engagement gegen Rassismus braucht uns alle.", "effective": "2021-03-01T16:07:00+00:00", "end": null, "getObjSize": null, "head_title": null, "image_field": null, "image_scales": {}, "mime_type": null, "nav_title": null, "review_state": "website_workflow--STATUS--veroffentlicht", "start": null, "title": "Rassismus: Zuh\u00f6ren, erkennen, handeln", "type_title": "TopicPage" }, "pills": [], "previous_item": {}, "review_state": "website_workflow--STATUS--veroffentlicht", "sidebar_date": null, "sidebar_item_1": null, "sidebar_item_2": null, "sidebar_label": null, "sidebar_link": "", "sidebar_text": "Von Boris B\u00f6gli. Erschienen in \u00abAMNESTY \u2013 Magazin der Menschenrechte\u00bb von M\u00e4rz 2021.", "slblocks": { "e2ff2c9931f24f9bb1f1595e9a3cd39e": { "@components": { "actions": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod/details/@actions" }, "aliases": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod/details/@aliases" }, "breadcrumbs": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod/details/@breadcrumbs" }, "contextnavigation": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod/details/@contextnavigation" }, "footer": { "@id": "https://amnesty-api.webcloud7.ch/de/@footer", "data": { "msg": "Not extandable for caching reasons, please call @id in a separate request." } }, "linklist": { "@id": "https://amnesty-api.webcloud7.ch/de/@linklist", "data": { "msg": "Not extandable for caching reasons, please call @id in a separate request." } }, "navigation": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod/details/@navigation" }, "navroot": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod/details/@navroot" }, "types": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod/details/@types" }, "workflow": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod/details/@workflow" } }, "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod/details", "@type": "TitleTextBlock", "UID": "e2ff2c9931f24f9bb1f1595e9a3cd39e", "allow_discussion": false, "created": "2025-10-08T21:13:26+00:00", "cta_href": "", "cta_label": null, "cta_new_window": false, "cta_type": "", "id": "details", "is_folderish": true, "items": [], "items_total": 0, "layout": "view", "lock": {}, "modified": "2026-01-14T19:46:47+00:00", "next_item": {}, "parent": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2021-1/der-lachs-der-wald-der-tod", "@type": "ArticlePage", "description": "Halb Krimi, halb historisch-ethnologische Abhandlung: In seinem preisgekr\u00f6nten Roman \u00abTaqawan\u00bb thematisiert \u00c9ric Plamondon die Situation des kanadischen Mi\u2019gmaq-Volks.", "effective": "2021-03-01T15:03:00+00:00", "end": null, "getObjSize": null, "head_title": null, "image_field": null, "image_scales": {}, "mime_type": null, "nav_title": null, "review_state": "website_workflow--STATUS--veroffentlicht", "start": null, "title": "Der Lachs, der Wald, der Tod", "type_title": "ArticlePage" }, "previous_item": {}, "review_state": null, "text": { "content-type": "text/html", "data": "

Der Geruchssinn des Lachses ist tausendmal feiner als jener des Hundes. In s\u00fcdfranz\u00f6sischen H\u00f6hlen gibt es 25'000 Jahre alte Abbildungen von Lachsen. Ein Lachs, der zum ersten Mal aus dem Meer in seinen Heimatfluss zur\u00fcckkehrt, heisst in der Mi\u2019gmaq-Sprache \u00abTaqawan\u00bb.

Derlei erf\u00e4hrt man im gleichnamigen Roman des kanadischen Autors \u00c9ric Plamondon. Die Lachsfischerei bildet die Lebensgrundlage des Mi\u2019gmaq-Volkes, das im S\u00fcdosten Kanadas auf der Gasp\u00e9sie-Halbinsel lebt. Ein gewaltsamer Konflikt zwischen Fischer*innen und Polizei \u00fcber die Fangrechte, der sich tats\u00e4chlich 1981 zugetragen hat, bildet die Ausgangslage des Romans.

Die Hauptfiguren sind Oc\u00e9ane, ein 15-j\u00e4hriges rebellisches Mi\u2019gmaq-M\u00e4dchen, das in den \u00abLachskrieg\u00bb hineingezogen wird, der Ex-Ranger Yves Leclerc, der seinen Job aus Frust \u00fcber das rassistische Vorgehen seiner Kollegen aufgibt und tief im Wald lebt, der einsiedlerische und geheimnisvolle Mi\u2019gmaq William sowie die franz\u00f6sische Berufsschul-Lehrerin Caroline Seguette, die unbelastet an ethnische und politische Konflikte herangeht. Gewalt, Ausbeutung, Diskriminierung, aber auch Naturerlebnisse und eine Liebesbeziehung treiben die Geschichte voran, in der auch mal eine Leiche im Wald vergraben und schliesslich ein kriminelles Netzwerk aufgedeckt wird.

In kurzen Kapiteln schiebt Plamondon immer wieder historische Abrisse der kanadischen Kolonisation, linguistische Betrachtungen oder Geschichten und Legenden der Mi\u2019gmaq dazwischen. Mal erf\u00e4hrt man, wie die Biber ihre heutige Gr\u00f6sse erlangten, mal erz\u00e4hlt der Autor von der Geschicklichkeit der Mi\u2019gmaq-Kinder auf ihrer n\u00e4chtlichen G\u00e4nsejagd.

Wichtig ist Plamondon, das Machtgef\u00e4lle aufzuzeigen zwischen Beh\u00f6rden, Gesellschaft und Medien einerseits und den indigenen \u00abFirst Nations\u00bb andererseits. Warum entzieht die Regierung den Mi\u2019gmaq die Fangrechte, vergibt aber grossz\u00fcgig Lizenzen an reiche Amerikaner*innen aus New York oder Boston, die dann mit ihren Zwanzigpf\u00fcndern prahlen? Warum erinnern sich fast alle Kanadier*innen an C\u00e9line Dions ersten TV-Auftritt im Juni 1981, aber kaum jemand an den gleichzeitig stattfindenden \u00abLachskrieg\u00bb, der in Wirklichkeit ein Machtkampf zwischen Zentralregierung und separatistischen Qu\u00e9becois auf dem Buckel der Mi\u2019gmaq war?

Plamondon nimmt im Roman klar Stellung zugunsten der Mi\u2019gmaq, ihrer Rechte und ihrer W\u00fcrde. Manchmal etwas zu klar. Weniger Exkurse und eine feinere Charakterisierung der Protagonist* innen h\u00e4tten das Hineintauchen in die Geschichte, die erst in der zweiten H\u00e4lfte Fahrt aufnimmt, erleichtert. Trotzdem bleibt \u00abTaqawan\u00bb ein spannendes, sprachlich pr\u00e4zises und interessantes Buch, das viel \u00fcber ein oft vernachl\u00e4ssigtes Volk erz\u00e4hlt und einen anderen Blick auf das Reisetraumziel Kanada wirft.

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Der Lachs, der Wald, der Tod

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