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Im Rahmen des Lucerne Festival im Sommer 2022 machte ich eine Erfahrung, wie ich sie in meiner \u00fcber 35-j\u00e4hrigen T\u00e4tigkeit als erfahrener Festival-Intendant selten erlebt habe: Erstmals wurden People of Color zu wichtigen Protagonist*innen auf der B\u00fchne des Festivals. Dies zeigt auf, wie sehr Diversit\u00e4t in den vergangenen Jahrhunderten in der klassischen Musik vernachl\u00e4ssigt oder vergessen wurde.

In einer Branche, die sich wohlgemerkt ernsthafte Gedanken um ihr zuk\u00fcnftiges Publikum macht, h\u00f6rte man oft die eigentlich unerh\u00f6rte Frage: Sind diese Musiker*innen denn gut genug, um auf einer international bekannten B\u00fchne wie dem Lucerne Festival zu bestehen? Werden sie nur wegen ihrer Hauptfarbe nach Luzern eingeladen? Nun \u2013 alle, die im vergangenen Sommer in Luzern dabei waren, wurden eines Besseren belehrt. Das Publikum lernte hochkar\u00e4tige und begeisternde K\u00fcnstler*innen wie die Sopranistin Golda Schultz aus S\u00fcdafrika kennen. Die Auff\u00fchrung der 1. Sinfonie der Schwarzen amerikanischen Komponistin Florence Price durch das Philadelphia Orchestra und Yannick N\u00e9zet- S\u00e9guin war gar eine musikalische Sensation.

Das Chineke! Orchestra aus London, das ausschliesslich aus People of Color zusammengesetzt ist, zeigte auf, dass Tore f\u00fcr Schwarze Musikerinnen ge\u00f6ffnet werden m\u00fcssen und wie man sie konsequent und erfolgreich f\u00f6rdern kann.

Die leidenschaftliche Er\u00f6ffnungsansprache von Chi-chi Nwanoku, der Gr\u00fcnderin der \u00abChineke! Foundation\u00bb, ist in die Geschichte des Lucerne Festivals eingegangen. Selbst die New York Times reiste wegen unseres Festivalthemas nach Luzern und setzte sich unter dem Titel \u00abA European Music Festival\u2019s Push for Diversity Stirs Debate\u00bb intensiv mit unseren Programmen auseinander.

Gegen den Kanon in unserer Gesellschaft zu schwimmen, ist schwierig und unpopul\u00e4r. Aber letztlich k\u00f6nnen wir alle mit wenig enorm viel bewegen und ver\u00e4ndern. F\u00fcr mich pers\u00f6nlich war das eine grosse Erfahrung, die mein Leben nachhaltig ver\u00e4ndert hat. Am Ende haben wir letzten Sommer hier in Luzern eines der interessantesten und bewegendsten Festivals erlebt und f\u00fcr viele Menschen T\u00fcren ge\u00f6ffnet. Nicht-weisse Musiker*innen werden in der Zukunft vieles in der Welt der klassischen Musik bewegen und ver\u00e4ndern, und das ist dringend n\u00f6tig.

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Mehr Diversität in der Musik

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