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"@type": "TopicPage", "description": "In immer mehr L\u00e4ndern geraten die Medien unter Druck, in vielen Staaten werden Journalist*innen verfolgt und sogar inhaftiert oder get\u00f6tet. Wie k\u00f6nnen Journalist*innen in solchen L\u00e4ndern arbeiten? Wie sichern sie sich ab, dass sie nicht selbst zu Verbreiter*innen von Falschinformationen und Manipulation werden? Die Herausforderungen an Medienschaffende werden gr\u00f6sser. Die Risiken ebenfalls.", "effective": "2024-05-22T14:27:00+00:00", "end": null, "getObjSize": null, "head_title": null, "image_field": null, "image_scales": {}, "mime_type": null, "nav_title": null, "review_state": "website_workflow--STATUS--veroffentlicht", "start": null, "title": "Medien im Konflikt", "type_title": "TopicPage" }, "pills": [], "previous_item": {}, "review_state": "website_workflow--STATUS--veroffentlicht", "sidebar_date": null, "sidebar_item_1": null, "sidebar_item_2": null, "sidebar_label": null, "sidebar_link": "", "sidebar_text": "Von Boris B\u00f6gli. Erschienen in \u00abAMNESTY \u2013 Magazin der Menschenrechte\u00bb vom Juni 2024.", "slblocks": { "c372c560be1b41d49fbae23a34c99ffd": { "@components": { "actions": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge/details/@actions" }, "aliases": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge/details/@aliases" }, "breadcrumbs": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge/details/@breadcrumbs" }, "contextnavigation": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge/details/@contextnavigation" }, "footer": { "@id": "https://amnesty-api.webcloud7.ch/de/@footer", "data": { "msg": "Not extandable for caching reasons, please call @id in a separate request." } }, "linklist": { "@id": "https://amnesty-api.webcloud7.ch/de/@linklist", "data": { "msg": "Not extandable for caching reasons, please call @id in a separate request." } }, "navigation": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge/details/@navigation" }, "navroot": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge/details/@navroot" }, "types": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge/details/@types" }, "workflow": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge/details/@workflow" } }, "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge/details", "@type": "TitleTextBlock", "UID": "c372c560be1b41d49fbae23a34c99ffd", "allow_discussion": false, "created": "2025-10-19T07:08:29+00:00", "cta_href": "", "cta_label": null, "cta_new_window": false, "cta_type": "", "id": "details", "is_folderish": true, "items": [], "items_total": 0, "layout": "view", "lock": {}, "modified": "2025-10-19T07:08:29+00:00", "next_item": {}, "parent": { "@id": "https://amnesty-api.webcloud7.ch/de/magazin-amnesty/2024-2/so-gott-will-wird-es-ein-junge", "@type": "ArticlePage", "description": "Mit dem Film \u00abInshallah a Boy\u00bb setzt der Regisseur Amjad Al Rasheed ein starkes Zeichen gegen die patriarchalen Strukturen in seiner Heimat Jordanien.", "effective": "2024-06-04T15:24:00+00:00", "end": null, "getObjSize": null, "head_title": null, "image_field": null, "image_scales": {}, "mime_type": null, "nav_title": null, "review_state": "website_workflow--STATUS--veroffentlicht", "start": null, "title": "So Gott will, wird es ein Junge", "type_title": "ArticlePage" }, "previous_item": {}, "review_state": null, "text": { "content-type": "text/html", "data": "

Eine Maus huscht durch Nawals K\u00fcche. Doch das ist noch das geringste Problem der jungen Witwe aus der jordanischen Hauptstadt Amman. Ihr \u00fcberraschend im Schlaf verstorbener Mann hat ihr nur Schulden, ein b\u00fcrokratisches Chaos und einige Geheimnisse hinterlassen. Nun muss Nawal f\u00fcrchten, ihre Wohnung zu verlieren, die sie von ihrer Aussteuer bezahlt hat. Sogar das Sorgerecht f\u00fcr ihre Tochter Noura k\u00f6nnte ihr aberkannt werden. Denn das patriarchalische Familien- und Erbrecht bevorteilt ihren gierigen Schwager Rufqi, der immer st\u00e4rker versucht, in Nawals Leben einzugreifen. Alles w\u00e4re anders, h\u00e4tte Nawal auch einen Sohn statt \u00abnur\u00bb einer Tochter. Und so erfindet sie kurzerhand eine Schwangerschaft, die das Erbverfahren sistieren w\u00fcrde. Nat\u00fcrlich muss sie die Schwangerschaft vor Gericht beweisen. Wie Nawal dies macht, bildet den Kern der Geschichte des Films \u00abInshallah walad\u00bb (So Gott will, wird es ein Junge).

Die pal\u00e4stinensische Schauspielerin Mouna Hawa stellt Nawals wachsenden Widerstandsgeist auf beeindruckende Weise dar. Nawal wehrt sich zunehmend entschlossener gegen Rufqi, gegen ihre wohlhabende Arbeitgeberin Souad, bei der sie als feinf\u00fchlige Pflegerin f\u00fcr eine demente Tante t\u00e4tig ist, und auch gegen ihren Arbeitskollegen Hassan, der glaubt, nun freie Bahn f\u00fcr seine Ann\u00e4herungsversuche zu haben. Zum Symbol von Nawals Freiheitswillen wird der Kleinlastwagen ihres Mannes, f\u00fcr den noch vier Raten offen sind. Alle bedr\u00e4ngen sie, ihn zu verkaufen, um die geerbten Schulden abzuzahlen. Doch sie weigert sich, obwohl sie gar nicht fahren kann. \u00abIch finde eine L\u00f6sung\u00bb wird zu ihrem Standardsatz.

\u00abWie im Mittelalter\u00bb

Vor Einbruch der Dunkelheit zuhause sein, sich nicht mit einem anderen Mann blicken lassen, das Haar z\u00fcchtig tragen: Jordaniens konservative Moral schr\u00e4nkt Nawals Leben auf vielfache Weise ein. Zu ihrer einzigen Verb\u00fcndeten wird Souads Tochter Lauren, mit der sie einen zweifelhaften Deal eingeht. Lauren ist ihres betr\u00fcgerischen Mannes \u00fcberdr\u00fcssig und m\u00f6chte ein eigenst\u00e4ndiges Leben f\u00fchren. Doch nicht einmal ihr hoher sozialer Status hilft ihr dabei. \u00abIn diesem Land herrscht das Mittelalter\u00bb, beklagt Lauren.

Inspiriert von einem \u00e4hnlichen Erlebnis in seinem Umfeld, hat Regisseur Amjad Al Rasheed zusammen mit den Drehbuch-Autorinnen Rula Nasser und Delphine Agut ein vielschichtiges, insgesamt ruhiges, aber mit feinen Nadelstichen gegen Politik und Gesellschaft versetztes Werk geschaffen. Der Film illustriert den Wunsch vieler junger Jordanierinnen nach mehr Freiheit in einer patriarchalen Welt. Laut Verfassung sind Jordaniens Frauen seit 2022 gleichgestellt; die daf\u00fcr notwendigen Ver\u00e4nderungen in allen Bereichen der Gesellschaft lassen aber auf sich warten.

Und die Maus? Sie huscht zuletzt nicht mehr durch die K\u00fcche. Gl\u00fccklich dar\u00fcber ist Nawal aber nicht.

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